Italian Neorealism
Elements of neorealism are also found in the films of Alessandro Blasetti and the documentary-style films of Francesco De Robertis. Two of the most significant precursors of neorealism are Jean Renoir's Toni (1935) and Alessandro Blasetti's 1860 (1934).
The first neorealist film is generally thought to be Ossessione by Luchino Visconti (1943). Neorealism became famous globally in 1946 with Roberto Rossellini's Rome, Open City, when it won the Grand Prize at the Cannes Film Festival as the first major film produced in Italy after the war.
Ossessione (1942) Director Luchino Visconti
La terra trema (1948) Director Luchino Visconti
Germany Year Zero (1948) Director Roberto Rossellini
Francesco, giullare di Dio (1950) Director Roberto Rossellini
Umberto D. (1952) Director Vittorio De Sica
La strada (1954) Director Federico Fellini
Il tetto (1956) Director Vittorio De Sica
Il posto (1961) Director Ermanno Olmi
Padre Padrone (1977) Director Paolo and Vittorio Taviani
Bicycle Thieves (1948) Director Vittorio De Sica
Bitter Rice (1949) Director Giuseppe De Santis
Paisà (1946) Director Roberto Rossellini
Shoeshine (1946) Director Vittorio De Sica
Mamma Roma (1962) Director Pier Paolo Pasolini
Il grido (1957) Director Michelangelo Antonioni
Rocco and His Brothers (1960) Director Luchino Visconti
I fidanzati (1963) Director Ermanno Olmi
L’onorevole Angelina (1947) Director Luigi Zampa
Roma ore 11 (1952) Director Guiseppe De Santis
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